GWHS Eagle Eye

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GWHS Eagle Eye

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    • Home
    • About
      • About GWHS
      • About Staff
    • Current News
      • GWHS News
      • Community News
      • World Affairs
    • Sports
    • Arts and Entertainment
    • Opinion Editorials
    • Science and Technology
    • Health and Wellness
    • Student Life
    • Career and College
    • Archived Front Page News
    • Podcasts
    • Human Interest Profiles
    • Reviews
  • Home
  • About
    • About GWHS
    • About Staff
  • Current News
    • GWHS News
    • Community News
    • World Affairs
  • Sports
  • Arts and Entertainment
  • Opinion Editorials
  • Science and Technology
  • Health and Wellness
  • Student Life
  • Career and College
  • Archived Front Page News
  • Podcasts
  • Human Interest Profiles
  • Reviews

About GWHS Eagle Eye

Get Influencers Out of the Front Row

BY MOLLY JONES

Imagine being a new designer and having your first show, and when you look out into the crowd all you see in the front row is influencers on their phones while your designs are on the runway, not paying attention to what you have worked so hard to produce. In today’s art industries influencers are seen by fashion brands as a marketing move, but what cost comes with using influencers for marketing? The cost I have so often seen is that influencers are sitting front row at these shows and not paying attention, promoting unethical consumption habits, and contributing to the loss of creative freedom in fashion.

Influencers are often paid by brands to wear their clothing, come to their shows, or make videos for them. That is not the problem, the problem is when influencers begin promoting fast fashion brands that often steal other fashion brands’ designs to make at a lower cost with unethical labor. Influencers promoting unethical companies and then showing up to a designer show at New York Fashion Week is almost contradicting and depletes the intricacy of a piece, creating a culture around virality over substance. The blatant disregard for overconsumption’s effects on our environment while also appearing front row at high quality fashion shows is not only extremely ignorant but it is also ill-mannered. The appearance at fashion shows used to be centered around photographers and journalists who appreciated the designs and crafts, almost admiring them. “The Influencer Revolution” an article featured in Harvard Politics, which looks into the effect that influencers have had on the fashion industry specifically how influencers have “normalized a mindset of overconsumption which has even found its way into “sustainable fashion,” as seen by the massive “sustainable thrift hauls” which still lead to waste.”

The ignorance regarding fast fashions design stealing and unethical practices while also having access to high quality fashion and having the choice to promote sustainable habits can be seen as just disrespectful to the designers who devote their lives to creating these pieces. Influencers have also led to the deterioration of personal style, while yes inspiration is always nice, influencers are causing people to lose their creativity and replace it with what their favorite influencer wears and promotes. Through this designers are losing their creative freedom to adhere to the styles that are trending and people want. Trends like model off duty, mob wife, and all things of the sort have popped up, and every time people flock to whatever is most popular.

The study of this has been a hot topic as of recent, especially with TikTok’s influence on what people are wearing. In an analysis article by Disa they describe how “TikTok’s digital ecosystem replaced traditional real-world influences, with TikTok becoming the arbiter of what was considered stylish and desirable”, TikTok influencers not only create trends but they also follow them. For example the era where everyone was flocking to the Kendall Jenner Model Off Duty look, everyone was buying the same white t-shirt and jeans as each other.

The consistent change in trends which are influenced heavily by creators on platforms like TikTok and instagram is slowly breaking down the art of one’s personal style. Creating a copy over and over of the same similar look depleting one’s own personal style. In addition it causes designers to lose their control over what they are making, they need to make money and to do that they have to do what is popular. This is contributing to the loss of the creative portion of fashion on the designers end and the consumer end.

New York Fashion Week, a popular event among celebrities and any regular civilian alike has routinely showcased the ignorance of some influencers. Influencers were seen sitting front row at these shows while not even paying attention to the designs. They were either taking videos or frankly just not paying attention and being on their phones

At Paris Fashion Week 2025, Karissa Mitchell described how “I found myself watching the entire collection through someone else’s iPhone screen. The woman seated directly in front of me was holding her phone high, live-streaming the runway”. This begs the question of influencers truly paying attention to what they are seeing. Influencers are hindering not just their ability to enjoy the show but also everyone else’s. Influencers do have positive effects on brands, when they make a video about something it brings the brand more revenue from the trend they have created, which is presented as a good impact on fashion brands ability to stay in business. In addition many influencers are not actually rude at all and are actually respectful.

However, if that is the case, why are we constantly seeing this issue pop up across different countries, fashion shows, and fashion weeks. If it’s not a problem people like Alix Earl should be seen off their phones enjoying the runway and promoting the true designers online. We don’t see that, influencers like Alix Earl and Addison Rae have been spotted at multiple high fashion shows not even paying attention, among other influencers doing the same.

The overconsumption habits, disrespectful actions at shows, and fast fashion use by influencers is harming the fashion industry and its art. Even if influencers are seen as a wonderful investment of company money from a marketing standpoint. What does that mean for the designer’s art?

In the future, fashion brands’ marketing team which decide guest lists should pivot towards filling their front rows with true creative fashion influencers, and people who will appreciate the art for what it is. Not through a phone lens or a livestream, just from one’s own eyes. You yourself can try to shop sustainably, avoid brands like Shein or Forever 21 which are notorious for stealing designs. Everyone has their own personal style and it’s important we all stay true to our creativity.

Art and Entertainment

GWHS Dance Company Shines with Creativity and Community

The GWHS Dance Company is a lively place for creativity, offering students the chance to explore various dance styles from jazz to ballet. With classes made for all levels, this company not only helps students improve their skills, but builds a strong community among dancers.


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Attention: It’s Free! An Interview with the Director

Washington’s 2024 fall play is currently in the works. “Attention: It’s Free” is a student-written show, created with a process called Devised Theater. Ms. Rydell, the new drama teacher and the director of the show, shares about the process of auditioning, writing, rehearsing, and more. 


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One Direction Star Liam Payne Dead at 31

By: Asha Ingram

Former One Direction star Liam Payne died after falling from a balcony at a hotel in Buenos Aires, Argentina, on Oct. 16. He was 31 years old.


Payne, most notably known as a former member of the hit boy band One Direction, died after falling from the third floor of a hotel in Buenos Aires.


At 5 p.m. that day shortly before his death, police said in a statement they were informed by hotel staff of a man potentially under the influence of drugs and alcohol whose life was in danger. When police arrived, there were reports of a loud noise in the inner courtyard, where Payne was found dead.


The autopsy report obtained by Today.com from the Argentina National Prosecutors Office stated that Payne's official cause of death was "polytrauma and internal and external bleeding."Following Payne's death, multiple substances including drugs and alcohol were seized from his hotel room.


Payne rose to fame with One Direction in 2011 after releasing their debut single "What Makes You Beautiful," which reached No. 4 on Billboard's Hot 100. Prior to their debut, the five band members had been paired up on the British reality competition show "The X Factor."


In the five years the band was together, they released hits like "Story of My Life," "Drag Me Down" and "Time Changes" until their split in 2016. One of the more prominent band members, Payne was credited for co-writing hits like "Story of My Life" and "Through the Dark."


Even after the band's split, Payne found moderate success in his solo career, writing hits like "Strip That Down" and "Teardrops." However, despite his success, Payne had a history of addiction, with multiple rehab stints after the band's split in 2016, including a 100-day stint last year. He described his addiction to alcohol and drugs as a way for him to cope with the "loneliness" that fame had brought him. Despite his struggle, Payne came out of his 2023 rehab stay hopeful for a better future free from addiction.


"It's good to be in this position," he said in a YouTube video updating his fans. "I definitely don't need those things anymore. The party's over." Fans and fellow singers and songwriters are now paying their respects to Payne, including all Payne's fellow One Direction members, who have released their individual statements on social media.

Renaissance Tapestries Make U.S. Debut at De Young Museum

By: Langston Montgomery

The de Young Museum in Golden Gate Park unveiled its Renaissance exhibit on Oct. 19, featuring historic tapestries displayed for the first time in the United States.


The exhibition, a collaboration between the Fine Arts Museums of San Francisco and international partners, showcases seven massive tapestries depicting the Battle of Pavia. Created by court artist Bernard van Orley, these 27-by-14-foot panels illustrate the pivotal 1525 clash between Roman Emperor Charles V and French King Francis I during the Italian Wars.


The pieces represent the Great Period of Tapestry (late 14th to 18th century), when these woven textile artworks reached their artistic peak. The exhibition also includes period armor and weaponry.


Bay Area residents can view these historic tapestries at the de Young from Oct. 19, 2024, through Jan. 12, 2025. San Francisco's selection as the first U.S. venue highlights the city's growing prominence in the international museum community.

SF's Hidden Music Treasures

By: Christopher Gallegos

San Francisco's underground music scene is exploding with a new wave of talent and innovation. Local artists and bands are redefining the city's musical landscape through a series of secret shows, from abandoned warehouses in SoMa to intimate basement venues in the Mission District. 


These events, occurring throughout fall 2024 and beyond, represent a resurgence driven by grassroots organizers and passionate musicians determined to keep San Francisco's musical heritage alive.


Popular venues for live underground music include Underground SF, Bottom of the Hill and Rickshaw Stop. Notable acts include "Wet Hazard," known for house, jungle and hard techno, and the R&B/hip-hop inspired rave "Cry Me a Raver," featuring top local DJs.


Students can discover this scene by asking friends for recommendations or exploring related artists. They can support underground musicians by attending concerts, streaming their music and purchasing merchandise.

PJ Harvey Mesmerizes at Masonic Shows

By:Audrey Parker

PJ Harvey's performances at the Masonic this month left her audience enchanted. English singer-songwriter Polly Jean Harvey performed a two-night stint at San Francisco's famed Masonic Auditorium earlier this month. Throughout both nights, each element of her show was carefully and artfully calculated, leaving the audience in captivated awe.


Unlike many artists who leave the audience to wait in built-up suspense for their arrival, Harvey's punctuality was impeccable, beginning the show at promptly 8 p.m. on both evenings. Her timely entrance was only the beginning. Every part of the show was precisely timed to create a perfect artistic flow. From the changes of the lights to the transitions between tracks to the very movements of the band members, the audience could feel the careful planning of the entire show. It took the experience beyond just seeing music — the audience got to witness a true performance art piece.


On stage, Harvey had a varied yet cohesive collection of desks and chairs, which she moved between throughout each track. Her interactions with the crowd were minimal, never breaking focus from her art. Each word she spoke and movement she made was a deliberate part of her production. As if in careful reflection and observance of what they were watching, the audience remained in a quiet hush throughout the evening.


As for the music itself, Harvey's setlist contained a beautiful blend of old and new. She played many of her hits from the '90s when she commanded the indie scene, including "Man-Size" and "50ft Queenie," as well as several tracks from her 2023 album, including her eerie and atmospheric opener, "Prayer at the Gate." She closed the show with two encores before vanishing from the crowd, leaving the entire room awestruck.

Grammy Winner Thundercat Closes Summer of Music in Golden Gate Park

San Francisco's underground music scene is exploding with a new wave of talent and innovation. Local artists and bands are redefining the city's musical landscape through a series of secret shows, from abandoned warehouses in SoMa to intimate basement venues in the Mission District. 


These events, occurring throughout fall 2024 and beyond, represent a resurgence driven by grassroots organizers and passionate musicians determined to keep San Francisco's musical heritage alive.


Popular venues for live underground music include Underground SF, Bottom of the Hill and Rickshaw Stop. Notable acts include "Wet Hazard," known for house, jungle and hard techno, and the R&B/hip-hop inspired rave "Cry Me a Raver," featuring top local DJs.


Students can discover this scene by asking friends for recommendations or exploring related artists. They can support underground musicians by attending concerts, streaming their music and purchasing merchandise.

Fall Means Gilmore Girls!

It's everyone's favorite time of year! Air getting crisper, movies getting scarier, pumpkin spice lattes breaking everyone's wallet. Fall is a favorite season for many, thanks to the unique comfort and nostalgia it brings. Each season has its traditions, and for fall, “Gilmore Girls” is a show that gets a lot of attention. The values of fall, warmth, togetherness, and change are brought to life in the show, making it a perfect watch during this time of year. 


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The Horrific Effect of Abuse and Trauma: “Baby Reindeer”

Netflix's Emmy-winning series “Baby Reindeer,” released on April 11, 2024, offers a gut-wrenching exploration of stalking, sexual abuse, and trauma. Based on Richard Gudd's real-life experiences and starring Gudd himself, the show has captivated audiences with its raw portrayal of a comedian's life spiraling out of control.

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